The Art of Katsuhiro Otomo

This is a book about the genius Japanese artist Katsuhiro Otomo (b. 1954).

Publisher Marketing: CONTENTS Acknowledgements 10 Picture Credits 10 Note 10 PART ONE: KATSUHIRO OTOMO 01 Katsuhiro Otomo 16 PART TWO: MANGA 01 Some of Katsuhiro Otomo's Manga Works 58 02 Hansel and Gretel: Katsuhiro Otomo's Fairy Tales and Classics 116 03 Inri 145 04 Domu 158 05 The Legend of Mother Sarah 191 06 Later Manga Works By Katsuhiro Otomo 216 PART THREE: CINEMA 01 Some of Katsuhiro Otomo's Works In Cinema 228 02 Memories 251 03 Metropolis 294 04 Steam-Boy 303 05 Mushishi 326 06 Short Peace: Combustible 340 PART FOUR: THE AKIRA MOVIE 01 Introduction: Some Reasons Why Akira Is a Masterwork 367 02 Akira and the Japanese Animé Industry 374 03 Akira: Production 398 04 Akira: Characters 417 05 Akira: The Story of Akira 442 06 Akira: Themes and Issues 489 07 Akira: The Style of Akira 520 PART FIVE: THE AKIRA MANGA 01 The Akira Manga 534 APPENDICES Moebius- Mushishi - Sky Blue 589 Resources 602 Fans On Akira 608 Critics On Akira 610 Katsuhiro Otomo: Filmographies 612 Katsuhiro Otomo: Manga Works 622 Bibliography 623 Publisher Marketing : THE ART OF KATSUHIRO OTOMO by Jeremy Mark Robinson This is a book about the genius Japanese artist Katsuhiro Otomo (b. 1954). Best-known for the Akira manga of 1982-90 and the Akira movie of 1988, Otomo is also an all-round artist who writes fiction, writes and directs short and feature movies, produces commercial art, and design projects. Among Otomo's works are the movies Steam-Boy, Mushishi, Metropolis, Memories and Roujin Z, and manga such as Domu, The Legend of Mother Sarah, Hansel and Gretel and Sayonara Japan. The works of Otomo have been celebrated with awards - he won the Kodansha Comic-Strip Award in 1984 for Akira, and the Science Fiction Grand Prix Award in 1983 for Domu. There are very few genuine auteurs in Japanese animation: the animation industry, like all filmmaking on a large scale, is truly collaborative. However, you can definitely see elements in the films directed and written and supervised by Katsuhiro Otomo that are auteurist: Otomo has his own style, visually, but also his own concerns, thematically, politically and psychologically. Akira is a giant of a movie that opens at full blast: this movie rocks from shot one. It really rocks - at a far higher level of intensity than any comparable movie, including all of the classics regularly trotted out as hi-octane movie-making. Akira is clearly one of those movies where the filmmakers have thrown everything they can think of into the mix, and it's a movie in which the filmmakers have given their all. Meanwhile, the manga of Akira exceeds all expectations - about storytelling, about what a comicbook or manga is, about how an action-adventure-fantasy story can work in a contemporary setting, and how a story can be genuinely thrilling, genuinely political, genuinely wild and epic. In short, Akira ticks all of the boxes: (a) it has action and spectacle in spades, (b) it has fascinating characters and situations, (c) it is incredibly exciting, (d) it is very unusual, sometimes downright eccentric and out-there, (e) it is highly politicized, (f) it has plenty to say about living in the modern world, about contemporary, advanced capitalist societies, and (g) it establishes its own world, its own raison d'etre, its own philosophy with supreme self-confidence. Akira is the manga to top all manga, to end all manga. It is a manga designed to go further, louder and crazier than any other manga. And it does! Akira delivers on its promise: it really is every bit as great as everybody says it is. The Art of Katsuhiro Otomo includes chapters on: Katsuhiro Otomo's manga and movies; lengthy chapters on every aspect of the Akira movie (animation, sound, music, voices, story, themes, etc); the story of the Akira manga; Otomo's inspirations and inflfiuences; the contemporary anime industry; and a section of the views of critics and fans. Fully illustrated, including many images from Otomo's whole output, the Akira movie, the Akira manga, Otomo's other works in comics and cinema, and Otomo's inspirations. Bibliography, resources and notes. With a full colour laminate cover. 632 pages. www.crmoon.com Contributor Bio: Robinson, Jeremy Mark AUTHOR BIOGRAPHY: JEREMY MARK ROBINSONJeremy Robinson has written many critical studies, including Steven Spielberg, Arthur Rimbaud, Jean-Luc Godard, and The Sacred Cinema of Andrei Tarkovsky, plus literary monographs on: J.R.R. Tolkien; Samuel Beckett; Thomas Hardy; Andre Gide; Robert Graves; and Lawrence Durrell. It's amazing for me to see my work treated with such passion and respect. There is nothing resembling it in the U.S. in relation to my work.Andrea Dworkin (on Andrea Dworkin)This model monograph - it is an exemplary job, and I'm very proud that he has accorded me a couple of mentions... The subject matter of his book is beautifully organised and dead on beam.Lawrence Durrell (on The Light Eternal: A Study of J.M.W. Turner)His poetry is very good deep moving stuff.Cloud Nine magazineJeremy Robinson's poetry is certainly jammed with ideas, and I find it very interesting for that reason. It's certainly a strong imprint of his personality.Colin WilsonSex-Magic-Poetry-Cornwall is a very rich essay... It is a very good piece... vastly stimulating and insightful.Peter Redgrove

Format: Hardcover | Pages: 632 | Publication Date: 2017-11-03